The crisp geometry of Parliament House met the organic curves of Port Melbourne, bound together by Kodak Ultramax 400’s saturated blues and Kodak vision 5207’s cinematic halations.

At high noon, Ultramax turned sandstone columns into warm stage backdrops for their quiet whispers. When dusk salt winds swept the beach, 5207 transformed seafoam into liquid mercury around Haiying’s trailing veil.

Two films, two architectures, one continuum - these silver frames hold the tension between civic eternity and tidepool transience.